The Indo-Iranians



Vedic Yajna Ceremony

Homework

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Questions to Ponder:



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Introduction

Of all the Indo-European branches, the records of the Indo-Iranians who moved into India take us farther back in time and closer to the proto-Indo-Europeans than any other group.  Some time in the early second millennium, after invading the Bactria-Margiana Archeological Complex (or BMAC) in Tajikistan, successive waves of tribes made a daunting 500 mile trek across the forbidding Hindu Kush mountain range of Afghanistan into the Punjab region of Pakistan and northwest India.  How they drove their horses, cattle, and carts across the many 12,000+ foot mountain passes is a mystery, but once they reached the Indus River Valley, they found verdant rivers on alluvial plains dotted with the ruins of huge cities.  The Indus Valley Civilization, also known by the type site of Harappa had occupied this area from 3300 BCE to around 1900 BCE.  This civilization was one of three major civilizations in the third millennium, including the Egyptian and Mesopotamian civilizations of the ancient Near East, but unlike the other two, it vanished, leaving only lonely ruins of once great cities.    Its collapse was most likely caused by the major drought which also impacted the BMAC, the 4.2 kiloyear aridification event.

It was during this same period in time that Indo-Iranians from the remains of the BMAC culture invaded the area of eastern Iran, while another group made a 1600 mile trek to Syria and established the Mitanni kingdom, and later empire.  The introduction of the Sintashta horses and chariots upended power dynamics among the ancient states.  The Hittites, an early offshoot of proto-Indo-Europeans from perhaps 4000 BCE established the Hittite empire also at this time in what is now central Turkey.  Where the Hittites had been in the intervening 2000 years since splitting from the proto-Yamnaya is a mystery that we'll look at next week.  The Mycennaean Greeks also invaded Greece around this time, and the Hyksos, whoever they were, invaded Egypt.

Our window into the world of the Indo-Iranians comes from the Vedas, a large body of religious texts which were composed orally starting in the mid-second millennium BCE and faithfully transmitted orally for two thousand years before being written down.  The Vedas form the oldest layers of Sanskrit literature and are the oldest scriptures of Hinduism, the world's third largest religion, with 1.2 billion followers.  In this chapter, we'll dive deeply into the Vedas, and try to peer back into that Indo-Aryan society from 4000 years ago, in an attempt to decipher what it was about their culture that proved so successful and enduring.  We'll also look at the Avestan culture of neighboring Iran, which came from the same source, but developed into Zoroastrianism.

I borrow liberally in this chapter from Jamison and Brereton's wonderful book, The Rigveda: A Guide.  I also rely heavily on Ranko Matasović's book, A Reader in Comparative Indo-European Religion.

Indo-Iranian Genetics

The above map is taken from a 2019 paper by Narasimhan, et al, titled The Formation of Human Populations in South and Central Asia.  The authors sequenced ancient DNA from 523 individuals from Central Asia, Pakistan, and northern India to determine the genetic flow among populations during the Bronze and Iron Age.  Some of their conclusions are as follows:

The Vedic Religion

Origin

The earliest Vedas, the Rig Vedas, probably date from a period between 1700 BCE and 1200 BCE.  We can bracket those dates because the Vedas mention ruins, but there are no mention of the living cities of the Indus Valley Civilization, which probably collapsed around 1900 BCE.  On the other end, there are many references to copper and bronze, but no mention until later Vedas of iron, which started being used between 1200 and 1000 BCE.  The Vedas describe a completely pastoral society, with no permanent settlements, which may have been very similar to the Sintashta culture on the steppes.  In fact, David Anthony found many parallels between the funerary complex at Sintashta and references in the Rig Vedas:

"The parallels include a reference in Rig Veda 10.18 to a kurgan (“let them … bury death in this hill”), a roofed burial chamber supported with posts (“let the fathers hold up this pillar for you”), and with shored walls (“I shore up the earth all around you; let me not injure you as I lay down this clod of earth”). This is a precise description of Sintashta and Potapovka-Filatovka grave pits, which had wooden plank roofs supported by timber posts and plank shoring walls. The horse sacrifice at a royal funeral is described in RV 1.162: “Keep the limbs undamaged and place them in the proper pattern. Cut them apart, calling out piece by piece.” The horse sacrifices in Sintashta, Potapovka, and Filatovka graves match this description, with the lower legs of horses carefully cut apart at the joints and placed in and over the grave. The preference for horses as sacrificial animals in Sintashta funeral rituals, a species choice setting Sintashta apart from earlier steppe cultures, was again paralleled in the RV. Another verse in the same hymn read: “Those who see that the racehorse is cooked, who say, ‘It smells good! Take it away!’ and who wait for the doling out of the flesh of the charger—let their approval encourage us.” These lines describe the public feasting that surrounded the funeral of an important person, exactly like the feasting implied by head-and-hoof deposits of horses, cattle, goats, and sheep in Sintashta graves that would have yielded hundreds or even thousands of kilos of meat. In RV 5.85, Varuna released the rain by overturning a pot: “Varuna has poured out the cask, turning its mouth downward. With it the king of the whole universe waters the soil.” In Sacrificial Deposit 1 at Sintashta an overturned pot was placed between two rows of sacrificed animals—in a ritual possibly associated with the construction of the enormous Bolshoi Kurgan. Finally, the RV eloquently documents the importance of the poetry and speech making that accompanied all these events. “Let us speak great words as men of power in the sacrificial gathering” was the standard closing attached repeatedly to several different hymns (RV 2.12, 2.23, 2.28) in one of the “family books.” These public performances played an important role in attracting and converting celebrants to the Indo-Iranian ritual system and language.Anthony, David W.. The Horse, the Wheel, and Language (pp. 559-560). Princeton University Press. Kindle Edition. 

But despite these close parallels, there were differences too.  During the time the Indo-Aryans spent with the BMAC culture, they borrowed a number of non-Indo-European words including the words for bread, plow, canal, brick, camel, donkey, and Soma.  By the time of the Rig Veda, animal sacrifice had been mostly replaced by the offering of Soma, a divine ritual drink pressed from some kind of twigs that gave the participant divine powers.   The name Soma is derived from the proto-Indo-European word *suH- ‗, meaning 'to press'.   What Soma actually was is greatly debated, but it may have included pressings from the Ephedra plant (same ingredient as Sudafed), which was buried with some Tarim mummies.  "In the R̥gveda the effect of soma juice on both humans and gods is described by the verbal root √mad, roughly “exhilarate” or 'elate.'”  Jamison, Stephanie; Brereton, Joel. The Rigveda: A Guide (Guides to Sacred Texts) (p. 77). Oxford University Press. Kindle Edition. 

One archeologist at a BMAC site claims to have found pottery with traces of cannabis, poppy and ephedra, which may have been combined in the Soma drink.

The Rig Veda

The Rig Veda is a collection of ten books, with a total of 1028 hymns.  They can be found online HERE. These hymns were used by priests in sacrifice rituals, mostly Soma sacrifices.  Books 2-7 are family books, associated with various clans or chieftans, composed in a time when there were five large tribes of nomadic herders in the Punjab.  The hymns were composed by specific priests, often named, and the family books often had hymns from several generations of the same composer's family.  They were composed in the Sanskrit language; the word Sanskrit means "put together, well formed, perfected" suggesting that the language was used for religious ceremonies, as opposed to vernacular uses.  The Rigveda hymns are very sophisticated poetry, mostly with collections of four verses, each with eleven syllables or three verses of eight syllables.  This poetic structure was similar to some Greek poetry, especially the Aeolic meters used by Sappho and Alcaeus.   Sanskrit is a highly inflected language: each noun has eight grammatical cases and up to three numbers (singular, plural or more), for a total of 24 separate forms.  Verbs have three persons (I, you, they) and three numbers (I, we two, we all) for a total of nine forms.  There are a wide variety of tenses, moods and voices, leading to an extremely complex language, which probably mirrors the complexity of proto-Indo-European.   Why nomadic herders used such a language of such complexity, whose daughter languages have since been greatly simplified, is still a mystery to me.  

For bardic purposes, the complex relationships between verbs, nouns, adjectives and adverbs, allowed the composers great freedom with word order since the related words could be easily identified across phrases; this made it easier to follow the rigid metrical verse structure.

We cannot appreciate the beauty of the Sanskrit since we are reading English translations, but the compositions include repetition, lists, numbers, questions, poetic repair, cosmic speculation, dialogs, monologues, imagery, metaphor, similes, ambiguities, change in register, puns, obscurity, complexity, alliteration, assonance and complex phonological patterns.  Many of the hymns are great works of art, which is why they were passed down by the bardic priests of the family clans for hundreds of years.  Around the year 1000 BCE, the clans were united into a kingdom and the hymns from the clans were collected and canonized in their present form, to reinforce a uniform orthodox religion across the kingdom.  The hymns were then faithfully preserved by oral repetition in Hindu schools for another two thousand years until they were finally written down.

The Soma Ritual

The Rig Veda got its name from the Sanskrit word r c- ‗ meaning 'Praise" and the Sanskrit word veda- meaning "knowledge, insight".  Most of the hymns praise one or more gods, as an invitation to come to the ritual.  Jamison and Brereton say, "The template is a hospitality ceremony and festive meal. The gods are invited to come to us, to our ritual ground, which has been prepared for their comfort, with sacred grass strewn on the ground to make seats for the divinities. The grass, barhís, has an exact cognate in Avestan barziš “cushion, pillow.” The journey of the gods is often described in hymns—they are ordered to hitch up their chariots and drive down from heaven. We eagerly and anxiously await their arrival, for there is always the possibility that they will find someone else’s ritual more appealing and stop there instead. Indeed, hymns often contain a plea or command for the gods to pass over the rituals of other peoples and come to ours. Once they are here, settled on the grass, we offer them food (melted butter [ghee], small grain cakes, and the like) and drink, especially the prized soma, as well as entertainment in the form of recitations and songs. Although the pūjā rites of the later Hindu tradition are very different in form and unlike Vedic rites are centered on an image or symbol of the god worshipped, these pūjā rites nonetheless share a similar foundation, since they too follow the acts and norms of hospitality. Creating the verbal entertainment for the gods is the role of the R̥gvedic poet. Since the gods clearly like to hear about themselves, the hymns offered praise them and their exploits, but since the gods already know their own wonderful qualities, this praise has to be imaginatively and elaborately confected to appeal to the gods’ poetic connoisseurship. As is often said in the brāhmaṇas, “the gods love the obscure.” (This characterizes the function of the hymns within the ritual hospitality model; for discussion of the deeper purpose of these compositions, see Chapter 9) At the end of the celebration the gods are sent home—generally after what in modern philanthropic circles would be called “the ask.” That is, toward the end of many hymns (and in the more intemperate hymns, throughout), we request benefits from the visiting gods, both material—gold, cows, horses, sons, etc.—and not—success in battle, long life, etc. This reciprocity—oblations to be consumed and praise to be savored, in return for largesse and good fortune conferred—is at the heart of the interface between human and divine, and an awareness of its balanced economics is often visible in the hymns. The physical site for this reciprocal exchange is the ritual ground."

Jamison, Stephanie; Brereton, Joel. The Rigveda: A Guide (Guides to Sacred Texts) (pp. 52-53). Oxford University Press. Kindle Edition. 

The optional documentary to the right shows the preparations for a three day Soma ritual conducted several decades ago.  The training techniques for oral memorization of the Rig Veda are shown starting at around 55 seconds in.

r̥tá or Cosmic Order

 ṛtá is a Sanskrit word which roughly translates to the principle of natural order which regulates and coordinates the operation of the universe and everything in it.  It is the central moral concept of the Rig Veda.  The spoken words had immense power; as Jamison and Brereton say, "order is order insofar as it can be expressed in words; words in some sense create the reality of the ordered cosmos. In other words, r̥tá is both “truth” in verbal terms and the “reality” that it expresses. R̥tá essentially defines what a being or object is and what it does, and it structures the relationships of beings and objects with other beings and objects. Moreover, “truth” is not a passive concept; it does more than reflect reality. By speaking these truths of essence and relationship, the poets could make the truths real and actual in the present. Words create worlds."

Jamison, Stephanie; Brereton, Joel. The Rigveda: A Guide (Guides to Sacred Texts) (p. 114). Oxford University Press. Kindle Edition. 


The Vedic poets saw identifications between the world of the gods, the world of ritual and the world of everyday life.  By using allusions and similies they could bridge the three separate worlds and help to control the powerful forces of the cosmic order through the ritual.  If they were successful, their patron, the chief or king would receive blessings of good weather and livestock from the gods which he could distribute to his people.  The rituals modeled the two organizing principles of Indo-European society: the Patron-Client relationship and the Guest-Host relationship.

The Vedic Pantheon

The Indo-Aryans worshipped a pantheon of gods who were very similar to the other Indo-European branches.  It was an animistic religion, with minor deities for many things and phenomena in the natural world.  The major gods were very similar to those of the Greeks, Romans, Germans and Celts.


Indra

Indra was the preeminent god, the object of 250 of the 1028 hymns.  He was a warrior god and storm god, very much like Thor or Zeus.  "Both Indra and Thor are storm gods, with powers over lightning and thunder, both carry a hammer or an equivalent, for both the weapon returns to their hand after they hurl it, both are associated with bulls in the earliest layer of respective texts, both use thunder as a battle-cry, both are protectors of mankind, both are described with legends about "milking the cloud-cows", both are benevolent giants, gods of strength, of life, of marriage and the healing gods."[41]

Unlike the Greeks with their elaborate mythologies, the Vedas have few stories and myths about the gods.  The Greeks modeled their gods after human relationships and society, while the Aryans used their gods primarily in ritual, or at least that is the view from the Vedas.    Perhaps they also had stories and myths that weren't preserved but we only have a few.  

The serpent- or dragon-killing myth, which is common to all Indo-European branches and thus probably originated on the steppes, is present in many Rig Veda hymns, but best illustrated in RV1.32  In it, Indra killed the serpent Vr̥tra, which means "obstacle" with his mace, named vajra.  In RV1.32, vajra is translated as "thunderbolt", but in other hymns it is described as tetrahedral (RV4.22.2) with a cow skin strap (RV1.121.9) and golden (RV 3.44.4).  It may have been very similar to the bronze cudgel found in a Yamnaya burial from 2400 BCE.


By killing the dragon, Indra released the life giving waters from the mountains.  RV1.32 also includes another myth of Indra setting free the cows which Vr̥tra had hidden in a cave (see RV2.12.3 and 2.15.8), a myth that is similar to Heracles' taking the cattle of the giant Geryon.

9 RV1.32

Here's an optional video on Indra's weapon, Vajra:

Maruts

The Maruts were a band of young cosmic warriors who accompanied Indra as a sort of posse.  In the cosmic realm they represent the thunderstorm, but for the physical realm, they were the gods of the adolescent warrior bands, the männerbund.  As Jamison and Brereton say, "As a social phenomenon, the Maruts represent the Männerbund, an association of young men, usually at a stage of life without significant other social ties (such as wife and children), who band together for rampageous and warlike pursuits. The violence of the thunderstorm is akin to the violence of these unruly age-mates, raiding and roistering. It is likely that Vedic society contained and licensed such groups among its young men, given the frequent warfare depicted in the R̥gveda, and the divine Maruts provide the charter for this association and behavior."

Jamison, Stephanie; Brereton, Joel. The Rigveda: A Guide (Guides to Sacred Texts) (p. 85). Oxford University Press. Kindle Edition.


RV6.66 is one of the hymns dedicated to the Maruts.

9 RV6.66

Aśvins, or Divine Twins and sister

Many Indo-European celebrated divine Twins.  They were horsemen who drove the sun chariot across the sky during the day.  In Greek and Roman myth they were Castor and Polux, in Latvian they were Dieva Dēli and in Anglo-Saxon they were Hengest and Horsa.  In Vedic myth they are the physicians to the gods and deliverers from distress.  in RV7.71 they free Cyavāna from old age and weakness and rescued Atri from distress and darkness.  

The Divine Twins had a sister who was the goddess of Dawn, for example the Greek goddess Eos.  Usās is one of a very few female goddesses in Vedic tradition.

9 RV7.71
9 RV1.124

Agni, the Fire God

After Indra, Agni and Soma were the two most popular gods in the Rig Veda hymns.  Agni, the god of fire played a key role in the sacrifice ceremonies; he appeared in the ritual fire and he carried the sacrificial offerings to the other gods through the smoke from his ritual fire.  Agni was most likely derived from a sun god in the proto-Indo-European pantheon, since his light represents the light of the all seeing sun.  

In the Rig Veda, we only see Agni in very formal rituals, but Agni was most likely invoked on a daily basis, in the household hearth.  He was invoked in everyday prayers for birth ceremonies, weddings, and funerals, as well as with the lighting of a lamp for prayers.

RV10.69 is a late hymn celebrating the ritual combination of many clan fires into a single tribal fire, representing the union of the clans.

9 RV10.69

The Adityas: Varuṇa-, Mitra, and Aryaman

The Adityas are a group of solar deities, who are the offspring of the goddess Aditi, the personification of the infinite cosmos and goddess of motherhood, consciousness, unconsciousness, the past, the future and fertility.

There are 6-8 Adityas in the Rig Veda, but three are very important:  Varuṇa-, Mitra, and AryamanThese three gods represent three key aspects of social relationships.  Varuna's name is related to vratá, meaning "vow", but in the Rigveda, it implies commandment of a governing principle.  Varuna is therefore the god of commandments, or authority.  In RV4.42, a human king becomes both Varuna and Indra, thus taking on two of the three Dumézil functions: a judicial authority and leader in war.


Mitra is a more peaceful figure, and only one hymn is devoted exclusively to him: RV3.59.  Mitra governs relations defined by mutual obligations, such as guest-host relations or peace agreements.


Aryaman is the god of the cultural norms of the Aryans.  He represents the customary rules that govern relations between the ordinary farmers, thus the third sphere of Dumézil's tripartition.  Though there are no Rigveda hymns directed solely to him, he was probably considered to be the god of friendship, which was conveyed in RV10.117.

9 RV10.117

The Nāsadīya Sūkta or Hymn of Creation

The Nāsadīya Sūkta or Hymn of Creation, RV10.129 is a late hymn concerning cosmology, or the origin of the universe.  It has attracted a lot of interest for its mysterious verses.  What do you think of it?

9 RV10.129

The Samaveda

The Samaveda is another of the four ancient Vedas.  Its text contains melodies, which may be some of the world's oldest written songs.  In later Hinduism, the sound of chanted hymns became as or more important than the Sanskrit meaning of the words. You can hear the sound of Sama Vedic chanting in the Youtube to the right.

Ancestors/Heaven/Afterlife

While the proto-Indo-Europeans took great care with their burial rites, the earliest Rig Vedas, those of the family books, say little about death or what happens afterwards.  Some Rig Veda funeral rites such as RV10.18 envision burying the dead in a kurgan where he will rest.  In the later hymns of Book 10, the deity of Yama (meaning twin) appears.  His history is similar to the proto-Indo-European myth of *Manu and *Yemo.  Yama was the brother of Manu, but Yama sacrificed himself by becoming the first mortal to die, thus paving the way for human kind.  Yama made a perilous journey to the land of the dead, past a fierce spotted two headed dog (shades of the Greek dog Cerberus who guarded the gates of the underworld; the proto-Indo-European word *k̑érberos means "spotted". )  Yama is now king of the underworld.

Arthavaveda 18.3 is a funeral hymn which starts with the widow laying on her husband's funeral pyre, but then returns to the way of life.  The spirit of the deceased is encouraged to "speed thou on thy journey: let not thy limbs, thy frame be left behind thee.  Follow to its repose thy resting spirit: go to whatever spot of earth thou lovest."  The many ancestor Fathers are called to come from the air to the funeral ceremony and partake in the food and Soma offerings and in return are asked to bless the mourners with long life and wealth in cattle and horses.

Much later the Hindu religion would develop the concepts of karma and reincarnation, but in the Vedic period, dead is pretty much dead.

The Role of Women

The Vedic period was a very male dominated society.  Women were confined to the home for domestic duties and the raising of children.  Jamison and Brereton say, "Women are visible only in the roles related to their stage in life. We often meet beautiful and seductive young women, since the goddess Dawn is regularly compared to them. But there was obviously considerable anxiety for the unmarried girl, especially one without a brother to help in the husband-finding. As in later orthodox Hinduism, the only satisfactory path for women was marriage. In RVI.124 Dawn is first described as “exulting in her spotless body” (verse 6) but immediately after is compared to “a brotherless (girl) who goes right up to men” (similarly, RVIV.5.5). Young women are several times depicted as going to festive gatherings (RVI.124.8, etc.), quite possibly to find eligible partners, or to a rendezvous (RVI.123.9), but in I.167.3 “a young woman roving in secret, going to men in a public hall” seems to refer to a less respectable or happy pursuit. The plight of the woman “who grows old at home” (amā-júr) is clearly pitiable (e.g., VIII.21.15), and the text also touches obliquely on a girl who has a child out of wedlock (RV5.2.1). Still, the happy girl newly engaged to a worthy bridegroom is also given due space, as in RVX.27.12 “the maiden, gratified all around by an admirable (gift) worthy to be chosen, from a bride-seeking man from among the young bloods. She becomes a fortunate bride, when she is well-adorned. She wins herself an ally [=spouse] in public.” In an oft-repeated simile the wife is depicted as “richly dressed, ever eager for her husband” (RVI.124.7, etc.). But the existence of two charms against co-wives make it clear that for some wives, competition for male attention continued after marriage. And the chilling simile “as a single common husband does his wives, Indra has dragged down all the strongholds to submission” (VII.26.3) does not cast a favorable light on such marriage."

Jamison, Stephanie; Brereton, Joel. The Rigveda: A Guide (Guides to Sacred Texts) (pp. 41-42). Oxford University Press. Kindle Edition. 


Up to now, most Indo-European societies (Celts, Romans, Germans, but not the Greeks) have been largely monogamous, except for political unions.   What factors do you think may have driven polygamy in the Vedic period?


We noted above that a widow would lie next to her husband on the funeral pyre, signifying the death of the marriage, and then another man, usually the brother of the deceased, would marry her.  RV10.18.8:  “Arise, woman, to the world of the living. You lie beside him whose life is gone. Come here! You have come into existence now as wife of a husband who has grasped your hand and wishes to have you.”  According to Anand Yang, in  "Whose Sati? Widow-Burning in early Nineteenth Century India", the word agre, "to go forth", was (probably in the 16th century) deliberately mistranslated into agneh, "into the fire", to give Vedic sanction for sati, or the practice of burning the widow alive on her husband's funeral pyre.


What do you think in general of the role of women in Vedic society?  Why was it like that and to what extent have those cultural practices continued?

Caste

Societies in India have long had a caste system, called varna in Hindi.  In village society throughout India there are thousands of occupational, geographical or tribal groupings, called Jāti, and tribal councils enforce strict endogamy, or marriage within the groups.  A recent DNA analysis of 571 individuals from 73 well defined ethno-linguistic groups in India shows that there was quite a lot of genetic mixing during the period 2200 BCE to 100 CE, but after that the caste system became entrenched and there has been negligible gene flow between the 73 groups for almost 2000 years.

The origin of the caste system may have originated in proto-Indo-European society with Dumézil's tripartition of society between rulers, warriors and farmers.  But in the Vedic period it was not raced based.  Members of society used the self designation Aryans defined as those who sacrificed.  Some patron names in the Rig Veda were non-Indo-European, suggesting that foreign tribes could adopt the traditions and become Aryans.

RigVeda10.90 is the classic Indo-European creation myth of the sacrifice of *Yemo, whose Sanskrit name was Puruṣa.  Puruṣa's body yielded creatures of the air and animals, horses, cattle, goats and sheep.  It yielded hymns, spells and charms.  The moon was born from his mind, the Sun from his eye, the air from his navel and the sky from his head. Indra and Agni from his mouth were born, and Vāyu (god of winds) from his breath. But interestingly, from his mouth came Brahman (Priest or truth), from his arms came the Rājanya, or warriors.  From his thighs came the Vaiśya, or farmers, and from his feet came Śūdra, or slaves.  While RV10.90 was composed late, this is the earliest suggestion of a strutured society, arising from the same source as the cosmic order.

How did the rigid structuring of society preserve and enforce the culture?

Evolution of Hinduism

Michael Witzel wrote a famous paper titled Early Sanskritization: Origins and Development of the Kuru State which gave some excellent explanations for how the Vedic society matured into Hinduism.  For centuries five great tribes of Aryans prospered on the tributaries of the Indus River Valley.  They were organized into clans which gathered under tribes with a chief and priests who ran the rituals and composed beautiful hymns which were passed down for generations.  When faced with a threat, the tribes could gather together under a temporary king and wage war together.  Their enemies were called Dāsa, which may have been a term applied to the original inhabitants of the BMAC culture, or the aboriginal North Indians, or even perhaps other Indo-European tribes which did not properly sacrifice to the gods.  When not at war, the Männerbund, or bands of young men probably raided cattle from neighboring Aryan tribes or attacked the aboriginals.  This went on for many centuries until perhaps around 1000 BCE.  The Kuru tribe (see map above) was the most powerful tribe and managed to unite the five tribes into a kingdom.  The consolidation may have followed a great war, described in the Rig Veda as the Battle of the Ten Kings, and later elaborated into the longest poem ever: the Mahabharata, of which the Bhagavad Gita forms a small part. 

The power of tribal kings had been based in part on success in war leading to distribution of booty, as well described in Homer's Illiad.  The Kuru kings needed a more stable society so they replaced the distribution of war booty with a collection of tax or tribute on the farmers.  That "fair" taxes could be deemed excessive can be seen in Artharvaveda 3.29, when one wishes that taxes in heaven will just be 1/16 of the harvest.  The king redistributed the taxes to his military and nobles to reinforce loyalty.

Another thing the Kuru kings did was to canonize the existing body of hymns and collect them in the Rig Veda.  Rituals would no longer be an art form performed by brilliant bardic priests, but more orthodox chanting of existing hymns.  The rituals were extended down into society so that young men, instead of gaining fame and fortune only on the battlefield, could gain status by having the Brahmin priests perform more elaborate rituals for his family.

A more stable, non-mobile hierarchal society with very defined social roles allowed for increased agricultural production, which allowed for urbanization, and specialization of trade crafts.  The Brahmins played a strong role in society and opened schools which wrote the Upanishads, new texts which moved beyond ritual to meditation, philosophy and consciousness.  The cow, giver of milk, curd, butter, urine and dung became venerated as a symbol of the divine.

In the last half of the first millennium, Buddhism arose, in part as a reaction against some of the religious practices of Hinduism.  Jainism is another great religion which arose around this time; it's emphasis on non-violence may also have been a reaction against Hinduism.  By today, Hinduism has completely changed from its Vedic heritage, and with its focus on ethics, duties and freedom from the tyranny of passions, it offers many spiritual solutions to life's many problems.

Indigenous Aryanism

Just as the Nazis harnessed the false lie of Aryanism to promote their political agenda, India's Prime Minister Narendra Modi has promoted Hindu Nationalism, the idea that Hindus are superior to Muslims and people of other beliefs.  Many academics in India today promote the idea of Indigenous Aryanism, or the idea that the proto-Indo-Europeans arose not on the Pontic-Caspian steppes, but in India, from the Indus Valley Civilization from which they proceeded to overrun all of Europe.  Testing of archaic DNA in India is highly restricted, for fear that the findings won't fit their theory.   Too often the ignorance of politics overwhelms the truth of science.

Iranians

When the proto-Vedic tribes crossed over the Hindu Kush into the Indus Valley, others stayed behind, living on the ruins of the former cities of the Bactria-Margiana Architectural Complex (BMAC), and expanding to the Iranian plateau in the west and Afghanistan in the east.  The echos of this culture can be seen in the percentage of R1a haplogroups in the modern day, which range from 68% in Tajikistan, 62% in Afghanistan, to 35% in eastern Iran.  Today over 150 million people speak Iranian languages including Persian, Pashto, Kurdish and Balochi.  The earliest recorded Iranian language is Avestan. which is very closely related to Sanskrit.  Sometime early on, the Iranian languages underwent a sound change from Indo-Sanskrit where *s turned into "h"; thus the Vedic river Sindhu into Avestan Hindu (Indus River), Sarasvati river into Haraxhvaiti, and Soma into Haoma.

Following the collapse of the BMAC around 1900 BCE, the Yaz culture appeared in the same central Asian areas.  These were settlements using irrigation for farming and they lasted for about a thousand years starting from 1500 BCE.  No burials have been found, possibly suggesting a link to the sky burial practice of later Zoroastrianism.  The spread of proto-Iranians throughout Afghanistan most likely occurred through nomadic pastoralism, as few settlements have been found.

Religion

The proto-Iranians most likely practiced a religion very similar to the early Vedic religion of the Rig Vedas.  No records were made until the appearance of a religious reformer named Zoroaster or Zarathushtra.  Little is known about Zoroaster.  Maybe he lived in Afghanistan or Tajikistan.  Maybe he lived around 1000 BCE, or earlier or later.  He likely lived in a nomadic family; his father's name means 'possessing gray horses'  while his mother's means 'milkmaid'.


Zoroaster's revelation was that the universe was ruled by a single supreme being, Ahura Mazda meaning Lord of Wisdom.  Ahura Mazda was a creator deity and lord of the sky, and Zoroaster is credited for inventing one of the first monotheistic religions.  There are aspects of dualism, although they may have crept in later, as the evil spirit Angra Mainyu is a force opposing Ahura Mazda.  Many in the Rig Veda pantheon, including Indra are regarded as demons or daeva, in service of Angra Mainyu, to be rejected.  The cosmic forces of good and evil were reflected in mankind, who contained both good and evil.  Zoroaster predicted an eventual triumph of Ahura Mazda, and the challenge and opportunity for mankind was to follow Ahura Mazda by doing good deeds and suppressing evil.


Zoroaster is believed to have written 17 hymns to Ahura Mazda, called gathas, from the Proto-Indo-Iranian word *gaHtʰáH, from the root *gaH- "to sing.  These were collected with 55 other hymns and prayers to form the core Avestan liturgical texts called the Yasna.  You can find a translation HERE.  Perhaps you can see a criticism of Indo-European cattle rustling in Zoroaster's Gatha 29, The Lament of the Cow:

1. Unto you wailed the Ox-soul, "For whom did ye fashion me? Who created me? Violence and rapine (and) savagery hath oppressed me, and outrage and might. I have no other herdsman than you; prepare for me then the blessings of pasture."

2. Then the Ox-Creator asked of the Right: "Hast thou a judge for the Ox, that ye may be able to appoint him zealous tendance as well as fodder? Whom do ye will to be his lord, who may drive off violence together with the followers of the Lie?"

3. To him the Right replied: "There is for the Ox no helper that can keep him away. Those yonder have no knowledge how right-doers act towards the lowly".
(The Ox-Creator): "Strongest of beings is he to whose help I come at call".

4. (Asha) "Mazda knoweth best the purposes that have been wrought already by demons and by mortals, and that shall be wrought hereafter. He, Ahura, is the decider. So shall it be as he shall will."

5. (The Ox-Creator) "To Ahura with outspread hands we twain would pray, my soul and that of the pregnant cow, so that we twain urge Mazda with entreaties. Destruction is not for the right-living, nor for the cattle-tender at the hands of Liars."

6. Then spake Ahura Mazda himself, who knows the law with wisdom: "There is found no lord or judge according to the Right Order for the Creator hath formed thee for the cattle-tender and the farmer."

7. This ordinance about the fat hath Ahura Mazda, one in will with Right, created for cattle, and the milk for them that crave nourishment, by his command, the holy one.
(The Ox and Cow:) "Whom hast thou, O Good Thought, among men, who may care for us twain?"

8. (Vohu Manah:) He is known to me here who alone hath heard our commands, even Zarathushtra Spitama; he willeth to make known our thoughts, O Mazda, and those of the Right. So let us bestow on him charm of speech.

9. Then the Ox-Soul lamented: "That I must be content with the ineffectual word of an impotent man for my protector, when I wish for one that commands mightily! When ever shall there be one who shall give him (the Ox) effective help?"

10. (Zarathushtra:) Do ye, O Ahura, grant them strength, and O Asha, and O Good Thought, that dominion, whereby he (the Savior) could produce good dwellings and peace. I also have realized thee, Mazda, as the first to accomplish this.

11. "Where are Right and Good Thought and Dominion? So, ye men, acknowledge me, for instruction, Mazda, for the great society."
(The Ox and Cow:) "O Ahura, now is help ours, we will be ready to serve those that are of you."

Zoroastrianism

Zoroaster faced resistance to his religious reform, and as it developed, many elements of the old Indo-European religion crept back in.  The main Zoroastrianism ceremony is a fire ceremony, similar to the Soma sacrifice,  in which haoma (soma) is prepared, mixed with milk and offered to the fire (but not imbibed) while the Yasna is sung by the priests.  The Vedic god Mitra also was worshiped as a lesser sun god divinity, Ahura Mithra, possibly because he represented an acceptable god of "covenant, agreement, treaty, alliance, and promise."  The ritual sacrifice of animals was transformed to a ritual offering of fat prior to meals.  

The largest extent of the Achaemenid Empire, around 500 BCE By Cattette - This file has been extracted from another file, CC BY 4.0, https://commons.wikimedia.org/w/index.php?curid=113179532

The Rise and Fall of Zoroastrianism

Zoroastrianism happened to be ascendent in the 9th century BCE as the Persians, an Indo-Iranian tribe settled in Persis in southwest Iran.  The Medes, an ancient people to the north unified the area by 612 BCE and Persis became a vassal state.  However the Persians, led by Cyrus the Great revolted in 552 BCE.  Cyrus the Great then conquered the ancient city states of Mesopotamia, the Lydians of Asia Minor, and all of central Asia.  We celebrate Cyrus for releasing the Israelites from captivity in Babylonia.  Cyrus' son went on to conquer Egypt.  The Achaemenid Empire was the largest empire in the world to that date and it brought Zoroastrianism to a wide group of people.  The Romans adopted Mithra in the Cult of Mithras.  The Magi, or Zoroastrian priests occur in the New Testament as Wise Men as they pay homage to baby Jesus.  There is much speculation as to the influence of Zoroastrianism on developing Judaism and Christianity, which is beyond the scope of this course.  You can read more in this short essay by Hannah Shapero.


Alexander the Great conquered the Persians in 330 BCE, but they regained control of their country a century later under the Parthian Empire.  Zoroastrianism flourished for a thousand years until the Sasanian Empire was overrun by the Muslim caliphate in 621 CE.  The Muslim religion took over in most of the former areas of Iran and Central Asia.  Today there are perhaps a few hundred thousands adherents to Zoroastrianism, mostly in Iran, Kurdistan, and India.

Here are the slides used in class, including Diane's excellent slides:

IE Class 9.pdf